MAVERICK WORKS - 4 - SHAPED


- AXONS - BIRDS - CAR - ILLUSIONS ALLUSIONS - INTERIORS - MEMORY - POLYMER CHAINS -
- SHAPED - SPORTIF - TARGETS - TRIPTYCHS - WINDOWS MIRRORS DOORS


- 1 -
- 2 -
- 3 - - 4 - - 5 - - 6 -

Shaped work is used to set up a visual expectation in the mind, which is then negated creating paradoxes,
illusions, playing games with perception to produce an unexpected image.

- > also see RIVERSCAPES
NIGHT WEIR 87 x 41 cms 2001-02WHITE WATER WIER 74 x 41 cms 1998-2000GREEN WATER WIER 84 x 41 cms 1998-2000
NIGHT WEIR 87 x 41 cms 2001-02 WHITE WATER WIER 74 x 41 cms 1998-2000 GREEN WATER WIER 84 x 41 cms 1998-2000
CONTRADICTIONS 40 x 86 cms 2001-2
INTERIOR LIGHT 40 x 86 cms 1998-9
CONTRADICTIONS 40 x 86 cms 2001-2
INTERIOR LIGHT 40 x 86 cms 1998-9
INTERIOR LIGHT WITH DUST PARTICLES 40 x 90 cms 1999
RIPPLED SEA 40 x 83 cms 2002 - PRIVATE COLLECTION
INTERIOR LIGHT WITH DUST PARTICLES 40 x 90 cms 1999
RIPPLED SEA 40 x 83 cms 2002 - PRIVATE COLLECTION
- > also see EARLY WORK 3

SPORTIF

This is concerned with the movement of balls, tennis billiards, cricket, football, squash, in a variety of differing spaces.
The subject matter is not the sport itself but rather the movement ; swerve bounce etc.
Anthony Whishaw uses dots and other circular shapes in many paintings as a visual structure to move the viewers eye through the work.

SPORTIF I - 40 x110 cms 2002-3

SPORTIF I - 40 x110 cms 2002-3

 

 

SPORTIF III 40 x 48 cms 2002-3
SPORTIF IV 68 x 68 cms 2002-3
SHAPED INTERIOR 39 x 59 cms 2002 - PRIVATE COLLECTION
FOUR POSITIONS 40 x 71 cms 2002 - PRIVATE COLLECTION
DECEPTIONS
FOUR POSITIONS 40 x 71 cms 2002 - PRIVATE COLLECTION
DECEPTIONS 41 x 41 cms 1991-2 - PRIVATE COLLECTION

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